As the contact between Kuhu and Ushashi builds, Pradip gradually gets himself dragged into the lattice of another relationship. The film, an adjustment of Sunil Gangopadhyay’s story, manages a wafer-flimsy plot encompassing the lives of two NRI couples - Pradip (Prosenjit), Kuhu (Padmapriya) and Ronojoy (Chandan Roy Sanyal), Ushashi (Kamalinee). It is the account of five lives, every battling his/her own particular evil spirit and attempting to exist calmly in a world that is scarred by scabbed-over sensibilities. It’s an account of a lady grappling with the way that the father of her two kids can and has affection for another woman. Complete Analysis of Aparajita TumiĪparajita Tumi is the narrative of a man torn between two ladies. You may also like to check out the review of one of the best Bengali movies “ Goopy Gyne Bagha Byne“. No matter what others say, its slow pace is its USP. Quite similar to Anuranan in theme, and strikingly resembling Antaheen in execution, Aparajita Tumi brings out his best so far. His serene approach towards the gravity of life and its ugliness is his signature appeal. There is a sincerity with which director Aniruddha Roy Chowdhury tells his stories. Shantanu’s score adds salt to foods that could otherwise have become bland.
Conflicts of the mind lay bare in the songs penned by Chandril and Anindya. The music fits into the screenplay so beautifully that it takes the narrative ahead without becoming a nuisance. The film would have been incomplete had it not been for three men – Chandril, Shantanu Moitra and Anindya. Chandan Roy Sanyal has a small screen presence, but he makes a dent in your mind with his recitation of Shakespeare. One cannot help but take notice of his flawless Bangal dialogue delivery. Indraneil Sengupta (Yousuf) comes as a breeze and passes by like a whirlwind.
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One can easily sympathize with Kamalinee when she is rebuked for the “extra salt in the Ilish Mach” in front of a room full of people. Padmapriya and Prosenjit live up to their characters. In a film where expressions matter more than dialogues, actors become the pillars of the movie. Aniruddha always manages to make the city a part of the script. I do not remember watching a more beautiful portrayal of San Fransisco in any movie made in any language. From Anuranan to Aparajita Tumi, he has finally matured as a storyteller.Īparajita Tumi is visually stunning. But when you juxtapose this fact with the tumultuous episodes facing the characters, one is forced to marvel at Aniruddha Roy Chowdhury’s acumen. The film moves at a pace slower than raincoats. Viewers might find the pace of the narrative a bit too slow.